I had only been in the flat a few weeks when I first heard The Feet.
It was night-time, and I had just returned home from work.
I dropped my bag and jacket on the floor in the hall. I didn’t even turn the light on.
I just stumbled through the flat through to my room and collapsed, face-first, onto my bed.
I lay there, not sleeping, the evening storm of drinks orders and bills and clearing tables rattling around the inside of my eyelids.
When, suddenly…
I rolled over, staring at the ceiling, at the unbelievable sound punching through it.
Was this a sleepwalking neighbour? A pacing midnight snacker?
I was still trying to figure out the whats and the whys, when the pacing…multiplied.
One set of steps became two sets of steps and then…more
I lay there, under the incessant stomping, unable to discern how many people, and how many feet, had suddenly begun walking around upstairs.
…upstairs.
This was a top floor flat.
The people upstairs, The Feet, were in the attic space.
Was I overthinking this? Was it even real?
I lay in bed, beneath the thundering of The Feet.
It’s not like I could go upstairs and ask them, whoever they were, to stop. There were no stairs. Even if I were awake enough, or brave enough, to climb into the attic and confront The Feet, I didn’t have a key…maybe this was why.
I rubbed my face. I was so tired. I just wanted to sleep.
I rolled out of bed and walked through to the kitchen.
There was quiet as I made myself some tea to try and calm myself down.
Maybe I had imagined the whole thing, maybe this was a sign that I needed to find a new job that wasn’t evenings, and wasn’t in a bar.
But then…
The Feet followed me. The stomping felt more pointed, violent, malicious.
I forgot about my tea and ran back to the bedroom.
The feet followed me.
I sat on the bed, starting to panic. This couldn’t be real, could it?
What did they want? Why were they doing this?
I went out into the hall and grabbed my bag, searching for my headphones, the big, noise-canceling, over-ear headphones for drowning out the cacophony of the night bus or the raging sea of a weekend crowd on the other side of the break room door.
I dived back into bed, pulled the duvet over my head, the headphones over my ears, and disappeared into the darkness.
I lay there, in the comfort of the dark, with calm, familiar sounds in my ears, gently encouraging me to unclench my jaw, my arms, my legs, my chest. I had already been tense before The Feet, and it took a while before my body would let itself be coaxed out of the safety of its fear.
I felt myself breathe, gradually slowing. I felt like I was floating in a gentle sea of sheets.
I don’t remember falling asleep, or taking my headphones off, or kicking the blankets off, but I slept.
The next day was a day off. I went to the park. I sat by the edge of a pond and watched the ducks.
The Feet did not return that night. I lay in bed, not sleeping, expecting them, expecting the coming rush of going back to work the next evening
The next day I quit my job.
The Feet did not return.
credits
released April 13, 2023
written and performed by David Devereux (they/them)
Tin Can Audio is the various noises of musician and audio producer David Amber Devereux, specialising in immersive audio dramas and dramatic, synth-wielding scores
This soundtrack and the game it accompanies was the inital inspiration for 'The Tower'. It's a beautiful album full of dreamy textures and haunting melodies. Tin Can Audio
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In a lane all his own, aint about me lays moody spoken word over rippling soundscapes on songs that feel cinematic in scope. Bandcamp New & Notable Nov 23, 2020
This album by Kenyan electronic producer rPH and poet Kins of Spade reflects on the impact of religion in their lives and society. Bandcamp New & Notable May 12, 2023