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The Feet (Covers 2)

by Tin Can Audio

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about

'Covers' is a series of audio drama monologues inspired by old book covers, made entirely live on Twitch.

'The Feet' is a short story about noisy neighbours and workplace anxiety.

You can watch the process of this piece being made on Youtube: bit.ly/3mytObp

A full transcript can be found here: bit.ly/3MDuOFE

lyrics

I had only been in the flat a few weeks when I first heard The Feet.

It was night-time, and I had just returned home from work.

I dropped my bag and jacket on the floor in the hall. I didn’t even turn the light on.

I just stumbled through the flat through to my room and collapsed, face-first, onto my bed.

I lay there, not sleeping, the evening storm of drinks orders and bills and clearing tables rattling around the inside of my eyelids.

When, suddenly…

I rolled over, staring at the ceiling, at the unbelievable sound punching through it.

Was this a sleepwalking neighbour? A pacing midnight snacker?

I was still trying to figure out the whats and the whys, when the pacing…multiplied.

One set of steps became two sets of steps and then…more

I lay there, under the incessant stomping, unable to discern how many people, and how many feet, had suddenly begun walking around upstairs.

…upstairs.

This was a top floor flat.

The people upstairs, The Feet, were in the attic space.

Was I overthinking this? Was it even real?

I lay in bed, beneath the thundering of The Feet.

It’s not like I could go upstairs and ask them, whoever they were, to stop. There were no stairs. Even if I were awake enough, or brave enough, to climb into the attic and confront The Feet, I didn’t have a key…maybe this was why.

I rubbed my face. I was so tired. I just wanted to sleep.

I rolled out of bed and walked through to the kitchen.

There was quiet as I made myself some tea to try and calm myself down.

Maybe I had imagined the whole thing, maybe this was a sign that I needed to find a new job that wasn’t evenings, and wasn’t in a bar.

But then…

The Feet followed me. The stomping felt more pointed, violent, malicious.

I forgot about my tea and ran back to the bedroom.

The feet followed me.

I sat on the bed, starting to panic. This couldn’t be real, could it?

What did they want? Why were they doing this?

I went out into the hall and grabbed my bag, searching for my headphones, the big, noise-canceling, over-ear headphones for drowning out the cacophony of the night bus or the raging sea of a weekend crowd on the other side of the break room door.

I dived back into bed, pulled the duvet over my head, the headphones over my ears, and disappeared into the darkness.

I lay there, in the comfort of the dark, with calm, familiar sounds in my ears, gently encouraging me to unclench my jaw, my arms, my legs, my chest. I had already been tense before The Feet, and it took a while before my body would let itself be coaxed out of the safety of its fear.

I felt myself breathe, gradually slowing. I felt like I was floating in a gentle sea of sheets.

I don’t remember falling asleep, or taking my headphones off, or kicking the blankets off, but I slept.

The next day was a day off. I went to the park. I sat by the edge of a pond and watched the ducks.

The Feet did not return that night. I lay in bed, not sleeping, expecting them, expecting the coming rush of going back to work the next evening

The next day I quit my job.

The Feet did not return.

credits

released April 13, 2023
written and performed by David Devereux (they/them)

This audio drama was made entirely live at
www.twitch.tv/tincanaudio

license

all rights reserved

tags

about

Tin Can Audio Glasgow, UK

Tin Can Audio is the various noises of musician and audio producer David Amber Devereux, specialising in immersive audio dramas and dramatic, synth-wielding scores

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